Publications



Books

Interactions: Dublin Theatre Festival 1957-2007
Edited by Nicholas Grene and Patrick Lonergan
Dublin: Carysfort Press, 2009

DTF For over fifty years, the Dublin Theatre Festival has been one of Ireland's most important cultural events, bringing countless new Irish plays to the world stage, while introducing Irish audiences to the most important international theatre companies and artists. With contributions from leading scholars and practitioners, Interactions explores and celebrates the Festival's achievements since 1957 featuring essays on major Irish writers, directors and theatre companies, as well as the impact of visiting directors and companies from abroad. This book includes specially commissioned memoirs from past organisers and observers of the Festival, offering a unique perspective on the controversies and successes that have marked the event's history. An especially valuable feature of the volume, also, is a complete listing of the shows that have appeared at the Festival from 1957 to 2008. For more information on this fourth volume in the Irish Theatrical Diaspora Series, see the Carysfort Press website
Review by Chris Morash in the Irish Times


Irish Theatre in America
Edited by John P. Harrington
Syracuse: Syracuse University Press, 2008

america The third volume of the Irish Theatrical Diaspora series, edited by John P. Harrington, based on the 2006 New York conference, was published by Syracuse University Press in 2008. The contributors include Mick Moloney, Christopher Berchild, Claire Gleitman, Deirdre McFeely, Gwen Orel, Peter Kuch, Lucy McDiarmid, Nicholas Grene, Patrick Lonergan, Joan Fitzpatick Dean, John Harrington, Christina Mahony, Belinda McKeon and Joseph Hurley. For more information on this third volume in the Irish Theatrical Diaspora Series, see the Syracuse University Press website


Irish Theatre in England
Edited by Richard Cave and Ben Levitas
Dublin: Carysfort Press, 2006

england Irish Theatre in England, published by Carysfort Press, is the volume of essays derived from the two-day conference organised by Richard Cave and Ben Levitas at the National Portrait Gallery, London, in 2005. After an intrsoduction by the editors, there follow essays by Cathy Leeney, Enrica Cerquoni, Carmen Szarbo, Elizabeth Schafer, Michael McAteer, Jerry Nolan, Peter Kuch, Wallace McDowell, Ben Levitas, Jonathan Statham, Tim Miles and Graham Saunders. An unusual feature of the volume is a chronological table of all Irish Plays produced in London since 1920, the product of a remarkable period of research by Peter Harris. For more information on this second volume in the Irish Theatrical Diaspora Series, see the Carysfort Press website


Irish Theatre on Tour
Edited by Nicholas Grene and Chris Morash
Dublin: Carysfort Press, 2005

tour Carysfort Press published the volume of essays, Irish Theatre on Tour , edited by Nicholas Grene and Chris Morash, as the first volume of the Irish Theatrical Diaspora series in June 2005. The book, arising out of the first ITD conference at the Royal Irish Academy in 2004, includes contributions from Seamus Heaney, Richard Cave , John P. Harrington, Anthony Roche, Peter Kuch, Adrian Frazier, Chris Morash, Helen Burke, Deirdre McFeely, Richard Pine, Melissa Sihra and Patrick Lonergan. For full details and order form see the Carysfort Press website

Journals

Irish Theatre in France/French Theatre in Ireland, Special Issue of Etudes Irlandaises Vol 33, No 2 (2008)

Note: links not currently operational

Sardoodledum Revisited, or a few trivial remarks about Oscar Wilde‘s an ideal husband (1895)
Pascal AQUIEN (Université de Paris 4-Sorbonne)

Traduire et mettre en scène Dermot Bolger
Emile-Jean DUMAY (Traducteur)

Traduire les Fracas du monde
Voyage dans les diversités de l‘anglais

Isabelle FAMCHON (Traductrice)

The hibernicization of en attendant Godot
Nicholas GRENE (Trinity College Dublin)

« Un point d‘interrogation qui se veut écriture » : GATTI‘S MAZE
Wesley HUTCHINSON (Université Sorbonne Nouvelle-Paris 3)

Sarah bernhardt, the irish, et le pays de kangaroo
Peter KUCH (University of Otago, New Zealand)

Under the influence: jacques lecoq, the body and the irish
Cathy LEENEY (University College Dublin)

Rough for theatre I and II and why they stayed that way, or when beckett‘s french theatre became irish again
Helen PENET-ASTBURY (Université Charles de Gaulle - Lille 3)

Lady gregory s‘en va-t-en guerre : the kiltartan molière
Alexandra POULAIN (Université Charles de Gaulle-Lille3)

Synge and the "savage God"
Shaun RICHARDS (Staffordshire University)

Performing artaud in Ireland
Brian SINGLETON (Trinity College, Dublin)

Face to face on the foreign stage translating into french contrast and symmetry in two scenes by wilde and shaw
Julie VATAIN (Université Paris 4-Sorbonne)